After appearing in and voicing over 30 TV commercial campaigns in the UK, it was playing Ethan Mars (Heavy Rain) that led to further videogame credits, becoming a regular in Ubisoft Toronto franchises, including Far Cry, Splintercell and Assassins Creed.

Most notable of these roles was the role of Bagley - the AI assistant in Watchdogs: Legion - for which I was nominated for a Canadian Game Award.

My curiosity has led to a deep experience in theatre, TV, film, Voice, and Motion Capture

I have a career that spans across three decades delivering voice performances that connect with clarity and empathy - whether at fast pace or with calm smoothness.

I have worked as a business developer for a videogame tech company, a physiotherapy and Pilates studio, and a construction firm. I have also been a playwrite and theatre producer.

As a co-author of “Performing for Motion Capture” (Bloomsbury) I also recorded and produced the audiobook version.

So, my stories include home renovations and pre-Cambrian fossils, flamenco dancing in Malta, and not quite climbing Everest. Half French and with two passports I am comfortable whichever accent border I cross.

You don’t write copy to be ignored, you don’t write scenes in a game because time is cheap. You want your words to reach into the hearts and minds of those who are listening - to entertain, educate, surprise and enlighten. To effortlessly engage their imagination.

I bring with me a long career of experience, with a playfulness born of confidence.

Previous clients include Camelot/Euromillions, Quantic Dream and multiple roles for Ubisoft franchises. Experience includes Commercials, Videogames, ADR, Audio Guides and Audiobooks.

Reliable and versatile

Working with me should make you want to me to return for another project - whether or not that happens! This means not only delivering on time, not only providing multiple viable options, but knowing you can add me to your team. We work best when we work together, enjoying the process as much as delivering the end product

I am an ex-dancer that went to the Royal Ballet School and then Elmhurst Ballet school

Offered the part of Mungojerrie in Cats! in Berlin, I instead accepted a place at RADA's 3 year course.

For a short time I ran my own Flamenco company, mixing flamenco with spoken word.

My sound studio was originally built by a Jamaican guitarist. I am painting it to look like the Tardis.

I read my dad's copies of "The New Scientist" throughout my youth.

I was a business developer for Dynamixyz, and ran facial capture for ... NDANDANDANDA

I have co-written a live animated interactive drama, using live facial capture and audience choice narrative.

Teaching for the Mocap Vaults Canada has been a personal mission to build an inclusive community of mocap excellence to Montreal and Toronto

• 4 x 4 sound studio with a sub -60 noise floor.

• Sennheiser Mk4 OR Shure Sm7b microphones.

• Steinberg UR22C 2x2 USB Gen 3.1 Audio Interface.

• ATH M20 or Sennheiser HD 280 Pro.

• Adobe Audition DAW.

• Source Connect or alternative can be arranged